The fear of losing a fan favourite character melds with the titular songвЂ™s embers of hope.

SanjiвЂ™s leaving the Straw Hats, and Namie AmuroвЂ™s upbeat but emotional вЂњHopeвЂќ conveys this. ItвЂ™s a plot of bonkers proportions that One Piece pulls off perfectly, and itвЂ™s soundtracked by a sombre opening. This will bring together the genetically modified Vinsmoke family of mercenaries, Germa 66, to the sweet addicted tyrant Big Mom. 10: Opening 20 вЂ“ Hope (Namie Amuro)Д«lack Leg Sanji, a talented cook and infamous pirate, has been strong armed into a political marriage with a three eyed memory manipulator called Pudding. ItвЂ™s a full frontal assault of mega joy, empowered by Hiroshi KitadaniвЂ™s thunderous vocals once again. One Piece needed an anthem to ignite the Straw HatsвЂ™ adventure post-timeskip, and вЂњWe Go!вЂќ is that anthem. 11: Opening 15 вЂ“ We Go! (Hiroshi Kitadani) It lacks the longevity of Hiroshi KitadaniвЂ™s other openings, but itвЂ™s a bloody good head bopper nonetheless. When it comes to One Piece openings, Hiroshi Kitadani is king! As the third of four openings heвЂ™s contributed, вЂњWe Can!вЂќ flaunts countless killer qualities (like its supremely satisfying bridge and chorus), but loses its edge on repeat listens. 12: Opening 19 вЂ“ We Can! (Hiroshi Kitadani and Kishidan) ItвЂ™s a stylistically spot on followup to LuffyвЂ™s lowest moment, held afloat by Namie AmuroвЂ™s beautiful vocals. But despite the melancholy, its synth spearheaded instrumentation inspires hope, transitioning the grim reality of LuffyвЂ™s present to a pleasant flashback of him, Ace, and Sabo. The violent war has concluded with tragic character deaths, and вЂњFight TogetherвЂќ matches the emotional tone of these losses. 13: Opening 14 вЂ“ Fight Together (Namie Amuro) ItвЂ™s silly to the max, and the classic era of One Piece is more memorable thanks to вЂњBelieve in wonderlaaaaaaaaaandвЂќ. вЂњBelieveвЂќ is a product of its time, and it rocks as a result! From the gimmicky Eurobeat synths, to the cringey vocal imperfections, it bellows 90s with loud and proud gusto. ItвЂ™s so unabashedly gleeful, and its tonal juxtaposition is super effective.

15: Opening 12 вЂ“ Kaze o Sagashite (Yaguchi Mari and Straw Hats)ДЄs One PieceвЂ™s story dives headlong into bleak territory (the Straw Hats have been separated, and Luffy infiltrates Impel Down), вЂњKaze o SagashiteвЂќ throws a curveball via its starry eyed optimism. Chock-full of eclectic instrumentation, from the aforementioned brass, to electric guitars, to bloopy synths itвЂ™s a wild ride. 16: Opening 8 вЂ“ Crazy Rainbow (Tackey and Tsubasa)Д®very opening beyond here is a bona-fide banger! вЂњCrazy RainbowвЂќ is the kind of brass laden goof fest that encapsulates the spirit of One Piece. The autotuned boyband manufacturization doesnвЂ™t click with LuffyвЂ™s adventure, but it scores points for (beyond its ugly exterior) being a legitimately catchy track.

If One Piece ever devolved into a sickeningly sanitized iteration of itself, вЂњSuper PowersвЂќ would be its soundtrack. вЂњSuper PowersвЂќ is stylistically gross, and too commercial for its own good.

Choppers theme one piece full lyrics